The Last Samurai
From Wikipedia, the free encyclopedia
| The Last Samurai | |
 Promotional Poster by Olga Kaljakin | |
| Directed by | Edward Zwick |
|---|---|
| Produced by | Tom Cruise Tom Engelman Marshall Herskovitz Scott Kroopf Paula Wagner Edward Zwick |
| Starring | Tom Cruise Timothy Spall Billy Connolly Tony Goldwyn Ken Watanabe Hiroyuki Sanada Koyuki Kato Shin Koyamada |
| Music by | Hans Zimmer |
| Cinematography | John Toll |
| Editing by | Victor Du Bois Steven Rosenblum |
| Distributed by | Warner Bros. |
| Release date(s) | December 5, 2003 |
| Running time | 160 minutes |
| Country |  United States New Zealand Japan |
| Language | English Japanese French |
| Budget | US$ 140 million |
The Last Samurai is a 2003 drama film/war film directed and co-produced by Edward Zwick, who also co-wrote the screenplay based on a story by John Logan.
This film was inspired by a project developed by writer and director Vincent Ward. Ward became executive producer on the film – working in development on it for nearly four years and after approaching several directors (Coppola, Weir), he interested Edward Zwick. The film went ahead with Zwick and was shot in Ward’s native New Zealand.
The film stars Tom Cruise (who also co-produced) in the role of American soldier Nathan Algren whose personal and emotional conflicts bring him into contact with Samurai in the wake of the Meiji Restoration in the Empire of Japan in 1876 and 1877. Other actors include Ken Watanabe, Timothy Spall, Billy Connolly and Tony Goldwyn.
The film's plot is based on the 1877 Satsuma Rebellion led by Saigō Takamori, and also on the story of Jules Brunet, a French army captain who fought alongside Enomoto Takeaki in the earlier Boshin War. The historical roles in Japanese westernization by the United Kingdom, the Netherlands and France are largely attributed to the United States in the film. These details, characters in the film and the real story are simplified for plot purposes; the film does not seek to duplicate history.
The Last Samurai was well received upon release, with a worldwide box office of $456 million. In addition it was nominated for several awards, including the Academy Awards, the Golden Globes and the National Board of Review.
[edit] Plot
Captain Nathan Algren (Tom Cruise), born in United Kingdom but naturalized American, is a disenchanted Ex-United States Army captain, tortured by the guilt of his past transgressions against Native American civilians. After losing his previous job of sharing his old war experiences in public demonstrations, he is recruited by his former commanding officer Lieutenant Colonel Bagley (Tony Goldwyn), whom Algren loathes and blames for his waking nightmares, on behalf of a Japanese businessman, Mr. Omura (Masato Harada). He is hired to help the new Meiji Restoration government train the new Western-style Imperial Japanese Army. With him are his old army colleague Zeb Gant (Billy Connolly) and Simon Graham, (Timothy Spall) a British translator.
Under the command of Bagley, Algren trains an army of peasants and farmers in firearm techniques, and before they are sufficiently trained, is forced to take them into battle to defend Omura's investment in a new railway, against a group of samurai rebels led by Katsumoto (Ken Watanabe). During the battle, the samurai slaughter Algren's vulnerable soldiers, and Bagley withdraws from the field. Gant kills several samurai, but is soon killed. Algren manages to kill some samurai (including the samurai who killed Gant) with a pistol, a saber and a broken spear embroidered with a flag depicting a white tiger. Despite his best efforts he is soon overpowered. However, the flag on the spear reminds Katsumoto of a vision he had during meditation, of a white tiger fighting off his attackers. Seeing the resemblance, Katsumoto makes Algren his prisoner instead of letting his samurai kill him. In self-defense the badly wounded Algren deals a death blow to Katsumoto's own brother-in-law, the red-masked Samurai, Hirotaro. He is taken to an isolated village, where he gradually recovers from his wounds (as well as his rampant alcoholism). He lives with the family of Hirotaro, namely his widow Taka, her two sons and Katsumoto's son Nobutada (Shin Koyamada). Over time, Algren's mental and emotional state improve as he learns the way of the samurai, (Bushido). He develops romantic feelings for Taka, studies swordsmanship from a skilled sword master (Ujio) and learning Japanese, converses with the local residents, gaining their respect.
One night, as the people watch a comic play, a group of ninja assassins attack the village, intent on killing Katsumoto. The samurai succeed in defeating the ninja, but suffer losses. Algren wins the respect and admiration of the samurai by fighting alongside them, distinguishing himself in the battle by his defense of Katsumoto. Though Katsumoto does not admit it, Algren realizes the attack was ordered by Omura.
With the arrival of Spring, Nathan is taken back to Tokyo, where he learns that the army, under Bagley's command, is now better organized and outfitted with howitzers and Gatling guns. He declines Omura's job offer to lead the army against Katsumoto, to crush the Samurai rebellion. He also witnesses the brutality of the Japanese soldiers who enforce the new laws forbidding samurai to publicly carry swords and wear their hair in chonmage.
At the same time, Katsumoto offers his counsel to the Emperor, to whom he was once a teacher. He learns that the young Emperor's hold upon the throne is much weaker than he thought, and that he is afraid to challenge men like Omura, who control vast wealth and political power.
Katsumoto is arrested and confined to his quarters in Tokyo when he refuses to remove his sword in the Emperor's presence, but Algren, having learned that Omura has ordered his assassination, and narrowly escaping an assassination attempt on his own life (through judicious use of martial arts he learned in Katsumoto's camp), decides to rescue him with help from several of Katsumoto's loyal followers. During the rescue mission, Katsumoto's son Nobutada is fatally wounded: he stays behind to allow Algren, Katsumoto and the rest of the team to escape. Algren watches as he is cut down, a sight that strengthens his resolve.
Katsumoto is still mourning the loss of his son when he receives word that a large Imperial Army unit is marching out to battle the samurai. A force of warriors, numbering only 500, is rallied. Algren makes a reference to the Battle of Thermopylae where a small army can inflict disproportionate casualties and cause great damage against overwhelming odds by using the right tactics and terrain as force multipliers. Algren then receives a katana of his own. He is also given, by Taka, her dead husband's armor. She dresses him into the armor, and they kiss just before Algren leaves.
With the assistance of Algren, the samurai plan to make their final stand, using a combination of superior close-combat ability and their enemy's over-confidence. When a large Imperial Army, under the command of Omura and Bagley confronts the samurai's rebel forces, the samurai fall back to higher ground, preventing the Imperial army from using its superior firepower. As expected, Omura immediately orders the infantry to pursue them as the samurai lead them into a trap, setting a fire to cut off their escape routes. The samurai then unleash volleys of arrows on the infantrymen, killing many.
Drawing their swords, the samurai, Algren and Katsumoto amongst them, charge the confused and wounded infantrymen. A second wave of Imperial infantry follows behind and quickly joins the battle, as does the samurai cavalry. A savage mêlée ensues that leaves many dead on both sides before the soldiers retreat. Realizing that fresh Imperial forces are coming and that defeat is imminent should a second battle occur, the surviving samurai resolve to make a final charge. They charge on horseback, their numbers being cut to pieces by Japanese cannons and then by another unit of infantrymen. During the battle, Bagley shoots Katsumoto but Algren then throws his sword at Bagley before he can kill Katsumoto, killing him and saving Katsumoto's life. Against all odds, they manage to make it through the enemy lines. On approaching the Imperial rear line, and progressing enough to scare Omura, the Samurai are suddenly cut down by the Gatling guns the soldiers had acquired from the Americans. Katsumoto and Algren are badly wounded from the encounter, and are seemingly the only survivors. Overcome by the sight of the dying samurai, an Imperial lieutenant (originally trained by Algren), against Omura's wishes, orders the Gatling guns to cease fire. Katsumoto, obeying bushido in order to keep his honour, commits seppuku (ritual suicide) with help from Algren, ending his life. The Imperial troops, many of whose comrades have also been killed, show their respect by bowing to the fallen samurai. Algren, who survives the battle heavily wounded, stays at Katsumoto's side.
Later, as American ambassadors prepare to have the emperor sign a treaty that would give the US exclusive rights to sell firearms to the Japanese government, the injured Algren offers Katsumoto's sword as a present to the Emperor. The Emperor understands the message and tells the American ambassador that the deal is not in the best interests of Japan. Omura objects, and the Emperor – realizing he does not need to live in fear of Omura – confiscates his estates and fortunes. The Emperor is not the incompetent leader he seemed to be earlier. Omura is greatly distressed at his loss. The Emperor offers him Katsumoto's sword to commit seppuku if the dishonor is too great to bear. Omura however, lowers his head and stumbles away.
The movie ends and the viewer realizes that the narrator of the story is Simon Graham. Algren then returns to the samurai village where he was imprisoned earlier, and to Taka. Graham philosophically concludes Algren found a measure of peace "that we all seek, and few of us ever find."
[edit] Cast
- Tom Cruise as Captain Nathan Algren, a Civil War and Indian Wars veteran haunted by the massacre of Native American civilians at the Battle of Washita River. He has a penchant for languages and drinking alcoholic beverages, especially whiskey, to drown his guilt and sorrow. He decides to help the new Meiji Restoration government train its first Western-style conscript army for a hefty sum. During the army's first battle he is captured by the samurai Katsumoto and taken to the village of Katsumoto's son, where he soon becomes intrigued with the way of the samurai and decides to join them in their cause. His journal entries reveal his impressions about traditional Japanese culture, which almost immediately evolves to admiration.
- Ken Watanabe as samurai Lord Katsumoto, a warrior-poet who was once Emperor Meiji's most trusted teacher. He is displeased with Mr. Omura's bureaucratic reform policies which leads him into organizing a revolt against the Imperial Army.
- Shin Koyamada as Nobutada, Katsumoto's only son who is lord of the village that the Samurai are encamped in and befriends captured Algren. Katsumoto, the leader samurai, advises Nobutada to teach Algren in the Japanese way – Japanese culture and Japanese language.
- Tony Goldwyn as Lieutenant Colonel Bagley, Capt. Algren's commanding officer in the 7th Cavalry Regiment, who was to train the Imperial Army. Algren dislikes Bagley for his role in the Washita River massacre of the Native Americans that Algren cannot get over. His facial hair is very similar to the way Custer wore his and is intended to evoke that image. Bagley is killed by Algren in the climactic battle.
- Masato Harada as Omura, an industrialist and pro-reform politician who dislikes the old samurai and shogun related lifestyle. He quickly imports westernization and modernization while making money for himself through his railroads. Coming from a merchant family that was like many repressed during the days of Samurai rule and cause for his extreme dislike for their nobility, he assumes a great deal of power during the Meiji Restoration and takes advantages of Meiji's youth to become his chief advisor (wielding power similar to those of the Shoguns). His image is designed to evoke the image of Okubo Toshimichi, a leading reformer during the Meiji Restoration. Masato Harada noted that he was deeply interested in joining the film after witnessing the construction of Emperor Meiji's conference room on sound stage 19 (where Humphrey Bogart had once acted) at Warner Brothers studios.[citation needed]
- Shichinosuke Nakamura as Emperor Meiji. Credited with the implementation of the 1868 Meiji Restoration, the Emperor is eager to import Western ideas and practices to modernize and empower Japan to become a strong nation. His appearance bears a strong resemblance to Emperor Meiji during that 1860's rather than during the 1870's, when The Last Samurai takes place.
- Hiroyuki Sanada as Ujio, one of the most dedicated, loyal and fierce samurai under Katsumoto. He teaches Algren the art of Samurai sword fighting, none too gently but eventually grows to respect him. He is one of the remaining samurai to die in the final charge in the last battle.
- Timothy Spall as Simon Graham, a British interpreter for Captain Algren and his non-English speaking soldiers. Initially portrayed as a typical practical-minded Englishman, he later comes to understand the Samurai cause. This character is shown to have some resemblances also to the real-world Corfiote photographer Felice Beato.
- Seizo Fukumoto as the Silent Samurai, an elderly man assigned to follow Algren (who later calls the samurai "Bob") as he travels through the village. Ultimately, the Samurai saves Algren's life (and speaking for the first and only time, "Algren-san!") by taking a fatal bullet for him. He bears a marked resemblance to Kyuzo from Seven Samurai.
- Koyuki Kato as Taka, Katsumoto's sister and the wife of the red-masked Samurai Hirotaro, whom Nathan Algren kills earlier.
- Billy Connolly as Sergeant Zebulon Gant, an ex-soldier who served with and is loyal to Algren, talked him into coming to Japan. He, along with Algren, train the imperial army before confronting the samurais. He is later killed in the opening battle by Hirotaro (Taka's husband).
- Shun Sugata as Nakao, a tall judo and naginata-skilled samurai, who takes part in Katsumoto's rescue, and says that Algren is ugly. He dies in the final battle.
[edit] Production
Filming took place in New Zealand, with Japanese cast members and an American Production crew. Views of Mount Fuji were superimposed using CGI of Mount Fuji as seen from Yokohama. Several of the village scenes were shot on the Warner Brothers Studios backlot in Burbank, California.
[edit] Reception
The film received an enthusiastic reception among the moviegoing public in Japan, with box office receipts higher in that country than in the USA. [1] Critical reception in Japan was generally positive. Tomomi Katsuta of The Mainichi Shinbun thought that the film was "a vast improvement over previous American attempts to portray Japan", noting that director Zwick "had researched Japanese history, cast well-known Japanese actors and consulted dialogue coaches to make sure he didn't confuse the casual and formal categories of Japanese speech." However, Katsuta still found fault with the film's idealistic, "storybook" portrayal of the samurai, stating that "Our image of samurai are that they were more corrupt." As such, he said, the noble samurai leader Katsumoto "set (his) teeth on edge." [2] The Japanese premiere was held at Roppongi Hills multiplex in Tokyo on November 1, 2003. The entire cast was present; they signed autographs, provided interviews and appeared on stage to speak to fans. Many of the cast members expressed the desire for audiences to learn and respect the important values of the samurai, and to have a greater appreciation of Japanese culture and custom.
Reviews were more critical in the United States, with numerous unflattering comparisons to Kevin Costner's film Dances with Wolves. Motoko Rich of The New York Times observed that the film has opened up a debate, "particularly among Asian-Americans and Japanese," about whether the film and others like it were "racist, naïve, well-intentioned, accurate – or all of the above." [2] Tom Long, critic for The Detroit News, wrote that "The Last Samurai pretends to honor a culture, but all it's really interested in is cheap sentiment, big fights and, above all, movie-star worship. It is a sham, and further, a shame." Reviewer Todd McCarthy from Variety calls The Last Samurai "rich in period and historical background," a "physically impressive" film with costumes that are "rich in eye-catching detail but not self-consciously exotic." However, he states that the film is "deficient in fresh dramatic and thematic ideas," and that the end of the movie "feel[s] phony and tacked on as a contrived sop to conventional audience expectations." [3]
The movie was nominated for four Academy Awards, including Best Supporting Actor for Ken Watanabe, and three Golden Globes, Best Supporting Actor for Watanabe, Best Actor - Drama for Tom Cruise and Best Score for Hans Zimmer. Awards won by the film include Best Director by the National Board of Review, Outstanding Supporting Visual Effects at the Visual Effects Society Awards, Outstanding Foreign Language Film at the Japan Academy Prize, four Golden Satellite Awards, and Best Fire Stunt at the Taurus World Stunt Awards.[4]
[edit] Soundtrack
Composed by Hans Zimmer, the score for The Last Samurai makes use of traditional Japanese instrumentation and compositional techniques, as well as the Western equivalent. The Taiko drum features prominently in the action cues. Vocal shouts and chants are featured in the "Red Warrior" cue. The score was nominated for several awards, including a Golden Globe for Best Original Score, and won an ASCAP award.
[edit] Track listing
- "A Way of Life"– 8:03
- "Spectres in the Fog"– 4:07
- "Taken"– 3:36
- "A Hard Teacher"– 5:44
- "To Know My Enemy"– 4:48
- "Idyll's End"– 6:40
- "Safe Passage"– 4:56
- "Ronin"– 1:53
- "Red Warrior"– 3:56
- "The Way of the Sword"– 7:59
- "A Small Measure of Peace"– 7:59
[edit] Historical background
The Last Samurai combines real but disconnected historical situations, rather distant in time, into a single narrative. It also replaces the key Western actors of the period (especially the French) by American ones. Finally, it portrays a radical conflict between ancient and modern fighting methods, but in reality all sides of the conflict (the Satsuma Rebellion, and before it the Boshin War) adopted modern equipment to various degrees. Indeed, firearms had been in use centuries earlier in Japan and played an important part in the civil wars that created the Tokugawa Shogunate, but were later rejected as dishonorable and by the early 19th century the gunsmith's art had fallen into disuse. Many thematic, and visual elements of the film parallel the films of Akira Kurosawa, specifically Seven Samurai.
[edit] Military modernization and Western involvement
The kind of military modernization described in The Last Samurai was already largely achieved by the time of the Boshin War ten years before, in 1868. At that time, forces favourable to the Shogun were modernized and trained by the French Military Mission to Japan (1867), and a modern fleet of steam warships had already been constituted (Eight steam warships, Kaiten, Banryū, Chiyodagata, Chōgei, Kaiyō Maru, Kanrin Maru, Mikaho and Shinsoku formed the core of the Bakufu Navy in 1868). The Western fiefs of Satsuma and Chōshū were also already highly modernized, supported by British interests and expertise. Even the appearance of Gatling guns in Japan goes back to that time (the Gatling guns were invented in 1861, and deployed during the 1868-1869 Boshin War by both sides, at the Battle of Hokuetsu and the Naval Battle of Miyako). Modernization had already advanced at a fast pace during the Bakumatsu period, many years before the installation of the Meiji Emperor.
Although Commodore Perry is credited with opening Japan to foreign contacts in 1854, American involvement in Japan was minimal thereafter. In-depth interaction, mainly commercial in nature, only started from 1859 with the Harris Treaty, and from 1861 American influence waned due to the demands of the American Civil War (1861-1865). The main powers involved with the modernization of Japan up to the 1868 Meiji Restoration were the Netherlands (initiation of a modern navy with the Nagasaki Naval Training Center and the supply of Japan's first modern ships, the Kankō Maru and the Kanrin Maru), France (Construction of the arsenal of Yokosuka by Léonce Verny, the 1867 French Military Mission), and Great Britain (in supplying modern equipment, especially ships, to a variety of domains, and in training the Navy with the Tracey Mission).
[edit] Meiji restoration
Following the Meiji restoration in 1868, the early Imperial Japanese Army was essentially developed with the assistance of French advisors again, through the second French Military Mission to Japan (1872-1880). An army of conscripts, mostly peasants replacing the former samurai class, was put in place with French assistance for the first time in March 1873. These troops were further modernized and their officers trained in military academies set up by the French, and would intervene against former samurai in the Satsuma rebellion in 1877. The Haitorei edict in 1876 all but banned carrying swords and guns on streets.
[edit] The Satsuma rebellion
The Satsuma Rebellion, the historical event described in The Last Samurai, was even more one-sided than in the movie, although the military techniques employed by each side were less contrasted. It occurred in 1877, ten years after the Boshin War, and ten years after the establishment of the Imperial Japanese army. The Imperial troops sent a huge force of 300,000 soldiers under Kawamura Sumiyoshi, modern in all aspects of warfare, using howitzers and observations balloons, to the island of Kyūshū to fight Saigō Takamori.
Saigō Takamori's rebels numbered around 40,000 in total, until they dwindled to about 400 at the final stand at the Battle of Shiroyama. Although they fought for the preservation of the caste of the samurai, and officers often wore samurai cuirasses, they did not neglect Western military methods: they used guns and cannons, and all contemporary depictions of Saigō Takamori represent him wearing the uniform of a Western general. At the end of the conflict, running out of material and ammunition, they had to fall back to close-quarter tactics and the use of swords, bows and arrows. In a parallel to the movie, they also fought for a more virtuous form of government (their slogan was "新政厚徳", "New government, High morality").
In contrast to the Boshin War, no Westerners are recorded to have fought on either side of the Satsuma rebellion. Specifically, Saigō Takamori did not fight side-by-side with foreign soldiers during the Satsuma Rebellion. During the Boshin War, Saigō may have been supported by British and American military advisors,[5] but the only documented case of foreigners actually fighting for a Japanese cause was that of the French soldiers supporting Enomoto Takeaki.
Although the Katsumoto character is based on Saigo Takamori, the last battle in the film is based not on his last stand but on another battle in which a group of disgruntled retainers attacked the new Imperial Army with no firearms or western weapons that took place at roughly the same time.[citation needed]
[edit] Further foreign assistance
A third French Military Mission to Japan (1884-1889) was later sent. However, due to the German victory in the Franco-Prussian War, the Japanese government also relied on Prussia as a model for their army, and hired two German military advisors (Major Jakob Meckel and Captain von Blankenbourg) for the training of the Japanese General Staff from 1886 to 1889. Other known foreign military consultants were the Italian Major Pompeo Grillo, who worked at the Osaka foundry from 1884 to 1888, followed by Major Quaratezi from 1889 to 1890, and the Dutch Captain Schermbeck, who worked on improving coastal defenses from 1883 to 1886.
Japan did not use foreign military advisors anymore between 1889 and 1918, until again a fourth French Military Mission to Japan (1918-1919), headed by Commandant Jacques-Paul Faure, was requested to assist in the development of the nascent Japanese airforce.
[edit] Westerners fighting alongside Japanese
Historically, the only major case of foreigners taking an active role in a Japanese civil war is that of the French military advisers under Jules Brunet (initially members of the 1867 French Military Mission), who joined the forces favourable to the Shogun under Enomoto Takeaki, during the Boshin war. They were deeply involved in the military organization of the Shogunal forces, and fought (several of them were heavily wounded) almost to the end of the conflict. A few days before surrender, when the situation had become desperate, they left on the French frigate Coëtlogon which had been waiting at anchor in Hakodate. Some of these French officers did wear the samurai attire (such as the French Naval officer Eugène Collache), although most officers in the armies of the Bakufu, as well as of course their French colleagues, wore French military uniforms. The Japanese in the late 19th century did hire foreign advisers to modernize their army, but they were mostly French, not American. Ken Watanabe's character was based on the real Saigō Takamori whose exact style of death is unknown. The accounts of his subordinates claim either that he uprighted himself and committed seppuku after his injury, or that he requested that a comrade assist his suicide. In debate, some scholars have suggested that neither is the case, and that Saigō may have gone into shock following his wound, losing his ability to speak. Several comrades upon seeing him in this state, would have severed his head, assisting him in the warrior's suicide they knew he would have wished. Later, they would have said that he committed seppuku in order to preserve his status as a true samurai.
